Still - not moving or making a sound nevertheless, all the same Life - the condition that distinguishes animals and plants from inorganic matter the existence of an individual human being or animal
Includes all kinds of man-made or natural objects, cut flowers, fruit, vegetables, fish, game, wine.
Si Sapsford’s paintings dwell on the duality of current environmental and political disasters sitting alongside everyday activities. Whilst we might be enjoying a coffee or game of cards, somewhere in the world a river might be over spilling its banks, or a war raging and we see people becoming displaced, forced to migrate in the resulting loss of home. Drawing on imagery of flooded landscapes and storms, her landscape paintings begin to teeter on abstraction, whilst her portraits seem self-absorbed, unaware of what is happening around them.

Inspired by the river and local wildlife, animal symbolism in Chinese art, and reflecting on our climate crisis & migration, Mai Lee has produced a collection of hand built ceramic animals and wheel thrown bowls, vases and plates.
Some of these local animals are very familiar, others are present but rarely seen. Insects are common but rarely celebrated in western art. Why are we so fond of some living creatures but fearful and repulsed by others?
In nature, animals and plants live in a delicate balance, all are vital and deserve respect whether we approve of them or not.

Si Sapsford is a multi-disciplined artist working both as a sculptor and painter. Graduating from the RCA, she has exhibited widely both in the UK and abroad, including The National Portrait Gallery, Royal Academy Summer Exhibition and Compton Verney Gallery. As a former winner of the BP Travel Award, she was also included in the National Portrait
Gallery’s 500 artist publication. She was a semi- finalist in Sky Portrait Artist of the Year 2020 and is currently showing work at BOTH Gallery, London.
Contact: sisapsford.com
Mai Lee Burgess has lived in the Henley area for over 30 years. She studied Zoology at London University but has had no formal art training. Her first encounter with a lump of clay was in May 2021 and she got through to the final live auditions for Great Pottery Throwdown 2025.
Contact: enquiries@maileeburgessceramics.com